OnThisDay January 5th, 1988 – Guns N’ Roses with Fred Coury on drums plays at KNAC’s second anniversary party at the Santa Monica Civic Auditorium in Santa Monica, CA. set: It’s So Easy, Mr. Brownstone, Welcome To The Jungle, Knockin’ On Heaven’s Door, Paradise City, Mama Kin It was KNAC’s 2nd Anniversary Party and also a benefit for a children’s charity. GnFnR….

On January 5th, 1988, something electric crackled through Santa Monica, California. Guns N’ Roses—still raw, dangerous, and rising like a wildfire—stormed the stage at the Santa Monica Civic Auditorium for KNAC’s Second Anniversary Party. What began as a radio station celebration quickly transformed into one of the most mythic, blink-and-you-miss-it moments in GN’R history.

 

This wasn’t a stadium. This wasn’t a world tour spectacle. This was Guns N’ Roses in their most lethal form—close, loud, hungry, and absolutely unstoppable.

 

And for one unforgettable night, Fred Coury sat behind the drum kit.

 

A Snapshot Frozen in Rock Time

 

1988 was the year Guns N’ Roses were no longer a secret—but they weren’t yet untouchable legends either. Appetite for Destruction had been released just months earlier, and the band was exploding out of Los Angeles like a street riot set to music. “Welcome to the Jungle” was clawing its way into mainstream consciousness. “Sweet Child O’ Mine” hadn’t yet conquered the world—but the fuse was lit.

 

KNAC, LA’s hard rock radio lifeline, was celebrating its second anniversary with a blowout show—and Guns N’ Roses were the crown jewel. The event doubled as a benefit for a children’s charity, giving the night an unexpected heart beneath the leather, denim, and danger.

 

Rock ‘n’ roll excess with a conscience. Very 1988. Very Guns N’ Roses.

 

Fred Coury Behind the Kit: A Rare Chapter

 

One of the most fascinating footnotes of this night is the presence of Fred Coury on drums. Known later for his work with Cinderella, Coury filled in during a turbulent period when GN’R’s lineup was still settling into its final, iconic form.

 

This wasn’t just a substitute drummer situation—it was a reminder of how volatile and fluid the band still was. Guns N’ Roses weren’t polished. They weren’t stable. They were a moving target, and that unpredictability only added to the danger.

 

Coury didn’t just keep time—he helped power a set that felt like it could come apart at any second, in the best possible way.

 

The Setlist That Hit Like a Street Fight

 

The band didn’t waste a second easing into the night. The setlist read like a greatest-hits time capsule from a band that technically hadn’t even had time to have greatest hits yet:

 

It’s So Easy

 

Mr. Brownstone

 

Welcome to the Jungle

 

Knockin’ on Heaven’s Door

 

Paradise City

 

Mama Kin

 

 

This was Guns N’ Roses firing bullets, not singles.

 

“It’s So Easy” came out snarling, all sleaze and swagger, Axl Rose stalking the stage like a man possessed. “Mr. Brownstone” followed with that heroin-soaked groove that made the crowd move whether they wanted to or not.

 

Then came the hammer.

 

“Welcome to the Jungle” Before the World Knew

 

In early 1988, “Welcome to the Jungle” hadn’t yet become the cultural monster it would soon be. But live? It was already terrifying.

 

Axl’s scream cut through the Civic Auditorium like a siren. Slash’s guitar slashed—not noodled, not posed—just raw, feral rock tone. Duff’s bass locked everything down with punk muscle. Izzy Stradlin’s rhythm guitar held the whole thing together like duct tape and attitude.

 

This wasn’t a performance. It was an ambush.

 

A Moment of Reflection: “Knockin’ on Heaven’s Door”

 

Then the mood shifted.

 

GN’R slid into their haunting, stripped-down version of Bob Dylan’s “Knockin’ on Heaven’s Door,” giving the night its emotional center. In a room full of chaos, suddenly there was space to breathe. The charity aspect of the event seemed to hang in the air, unspoken but felt.

 

It was a reminder—even then—that Guns N’ Roses weren’t just about danger. They understood vulnerability too.

 

“Paradise City” and the Roof-Blowing Finale

 

By the time “Paradise City” hit, the Civic Auditorium was shaking. This was before the song became a stadium closer—it was still a street anthem, fast, reckless, and barely contained.

 

And when “Mama Kin” sealed the night, it felt like a nod to rock history itself—Aerosmith passed down the torch, whether they knew it or not.

 

Guns N’ Roses didn’t just cover legends.

 

They became the next ones.

 

Why This Night Still Matters

 

This January 5th, 1988 show wasn’t famous because it was massive. It mattered because it was real. No safety rails. No legacy to protect. Just a band playing like every gig could be their last—or their breakthrough.

 

It captured Guns N’ Roses at the exact moment when everything could still go wrong… or incredibly right.

 

And for the fans who were there, it wasn’t just a concert. It was history happening at arm’s length.

 

GnFnR Forever

 

KNAC’s second anniversary party became more than a radio celebration. It became a snapshot of Guns N’ Roses in motion—before superstardom calcified them into myth, when they were still flesh, blood, sweat, and feedback.

 

On this day, January 5th, 1988, Guns N’ Roses didn’t just play Santa Monica.

 

They burned it into rock ‘n’ roll memory.

 

GnFnR.

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