Unbelievable: Mikael Åkerfeldt Reveals the Opeth Song ‘Nobody Likes’ Except Steven Wilson, While Greengoat Shocks Fans with New Single ‘Charles’ and a Game-Changing Album Announcement!……

In a recent jaw-dropping interview, Opeth’s frontman Mikael Åkerfeldt has revealed a shocking truth about one of the band’s most divisive songs—a track that has been met with mixed reviews by fans, yet holds a special place in the heart of none other than Steven Wilson. Meanwhile, as fans of the genre were still reeling from Åkerfeldt’s bombshell confession, a new wave of excitement was unleashed by the genre-defying band Greengoat. Their latest single, “Charles,” has left the metal world in utter disbelief, and the group has also announced an album that promises to change everything. Here’s everything you need to know about the wild revelations and shocking musical twists that have taken the music world by storm.

Opeth’s ‘Nobody Likes’ Track Revealed by Mikael Åkerfeldt

Opeth is no stranger to creating music that defies convention, with their unique blend of progressive metal and folk-inspired elements. However, it turns out that some of the band’s tracks haven’t been universally loved—one in particular, which Åkerfeldt describes as a “bit of an oddity” in the Opeth catalog.

In an exclusive interview with Prog Magazine, the legendary frontman opened up about one of Opeth’s most controversial songs: “To Rid the Disease,” from their 2003 album Damnation. The track, which features a more stripped-down, acoustic-driven sound, was a departure from Opeth’s signature heavy, progressive metal style. Despite its mellow and atmospheric qualities, the song has never been a fan favorite. In fact, Åkerfeldt candidly admitted that he believed “nobody likes” the song—except one person: Steven Wilson, the legendary British musician and longtime collaborator of Opeth.

For years, Wilson has been an integral part of Opeth’s creative journey, contributing to the production of many of their albums. His admiration for “To Rid the Disease” is well-known, and Åkerfeldt’s revelation that Wilson continues to champion the track even today speaks to the deep connection between the two musicians. According to Åkerfeldt, Steven has always seen something in the track that others have missed—a vision that not only influenced Opeth’s sound but also helped push them toward new artistic horizons.

While “To Rid the Disease” is often overshadowed by heavier, more intricate pieces in Opeth’s catalog, its inclusion in Damnation represented a pivotal moment for the band, marking their shift toward a more melancholic, atmospheric sound. Despite its polarizing reception among fans, it remains a testament to Opeth’s musical evolution and willingness to experiment with new styles.

Greengoat Drops New Single ‘Charles’: A Game-Changer for the Metal Scene

While Opeth’s revelation left many fans reflecting on the hidden gems of their discography, the spotlight quickly shifted to the up-and-coming band Greengoat. With their brand-new single, “Charles,” the group has taken the music scene by storm, delivering a track that is both groundbreaking and utterly unpredictable.

Greengoat, a genre-bending outfit that blends elements of stoner rock, doom metal, and progressive metal, has long been a band on the rise. However, with “Charles,” they’ve transcended their previous work, creating a piece of music that feels like a turning point not only for the band but for the entire metal genre. The track is a masterclass in musical experimentation, combining massive, crushing riffs with atmospheric layers, complex rhythms, and cryptic lyrics. It’s a song that demands to be listened to multiple times to fully appreciate its depth.

But it’s not just the music that has fans talking—it’s the daring new direction the band is taking with this release. “Charles” is not just a single; it marks a new chapter for Greengoat. In an unexpected move, the band announced that it would be the lead single from their upcoming album, which promises to be nothing short of a game-changer. Entitled The Abyss Stares Back, the album is set to push the boundaries of what fans can expect from a metal record. Greengoat has teased that the album will incorporate elements of jazz, post-metal, and even ambient soundscapes—creating a fusion of styles that is poised to turn heads in the metal community.

The announcement has already sent shockwaves through social media, with fans speculating about the potential musical direction of the album. Some believe it could redefine what we know as modern metal, while others are eager to see if Greengoat can maintain their distinct identity while embracing new, uncharted territory.

The Band’s Game-Changing Album: What Fans Can Expect

The Abyss Stares Back is a title that promises something monumental. If “Charles” is any indication, Greengoat’s upcoming record will not be for the faint of heart. In an exclusive teaser released alongside the announcement, the band revealed that the album would feature collaborations with renowned musicians from a variety of genres, from jazz virtuosos to electronic producers. The experimental nature of the project suggests that the band is not content to rest on their laurels and is determined to push the boundaries of what metal music can achieve.

The album’s themes will explore the concept of duality—the interplay between light and darkness, hope and despair. The band’s frontman, who goes by the stage name “Icarus,” described the album as a “musical journey through the human psyche.” It’s a deeply personal project for the band, one that touches on themes of self-reflection, inner conflict, and transformation. “Charles,” with its haunting melodies and enigmatic lyrics, is just the beginning of this sonic exploration.

Fans can expect to hear songs that blend the heaviness of doom with the complexity of progressive rock, while incorporating unexpected twists that will challenge traditional notions of what metal can be. The album promises to be a wild ride, one that will leave fans reeling and eager for more.

The Future of Opeth and Greengoat: A New Era in Metal

As Mikael Åkerfeldt reflects on the evolution of Opeth, it’s clear that the band has never been afraid to experiment with new sounds and ideas. While some of their tracks may not have resonated with every fan, their willingness to push boundaries is a testament to their artistic integrity. Opeth’s long-standing partnership with Steven Wilson continues to be a driving force behind their creative vision, and their collaborations will likely yield even more groundbreaking music in the future.

On the other hand, Greengoat’s bold new direction is a reminder that the future of metal lies in the hands of the next generation of bands who are unafraid to challenge the status quo. With The Abyss Stares Back, Greengoat is poised to make a major impact on the metal scene, and if their past work is any indication, their upcoming album will be nothing short of extraordinary.

Both Opeth and Greengoat are perfect examples of how the world of metal continues to evolve, with legendary bands reimagining their sound and newcomers shaking up the genre with fresh, innovative ideas. Whether it’s Åkerfeldt’s confession about a hidden gem or Greengoat’s genre-bending experimentation, it’s clear that the boundaries of metal are being pushed like never before.

As 2025 unfolds, one thing is certain: the metal world will never be the same. Stay tuned for more updates on these game-changing musical journeys as Opeth and Greengoat continue to redefine what is possible in the world of heavy music.